I'm not comfortable with categories, and I distrust most definitions. The word 'definition' is based on the word 'finite,' which would seem to indicate that once we've defined something, we don't need to think about it anymore.

Essentially, the popular musician in America must learn that his basic job is to entertain people, to make them forget their sorrows for a moment or two; in the same sense that any popular art form must aim at the same distraction value. Any such job as that is basically a young man's business. It takes a young man's energy to go traveling around the country, night after night in a different place, prancing and cavorting around in front of mobs of people all out to try to forget their problems for an evening. And for a young man it can be a good enough way of life, if he happens to like it.

The distance between me and Benny [Goodman], was that I was trying to play a musical thing, and Benny was trying to swing. Benny had great fingers; I'd never deny that. But listen to our two versions of 'Star Dust.' I was playing; he was swinging.

If you wanna dance, a windshield wiper'll do it-all you need is a beat.

There's such a cynicism about the phrase 'I laughed all the way to the bank.' It's as though money is what you're doing, rather than playing music. If you're playing a money game, why not get into banking?

I wanted to resign from the planet, not just music. It stopped being fun with success. Money got in the way. Everybody got greedy, including me. Fear set in. I got miserable when I became a commodity.

Somebody asked me once, 'Do you think that swing will ever come back?' And I said, 'Do you think the 1938 Ford will ever come back?'