It is after all so easy to shatter a story. To break a chain of thought. To ruin a fragment of a dream being carried around carefully like a piece of porcelain. To let it be, to travel with it, as Velutha did, is much the harder thing to do.

Fiction and non-fiction are only different techniques of story telling. For reasons I do not fully understand, fiction dances out of me. Non-fiction is wrenched out by the aching, broken world I wake up to every morning.

The way her body existed only where he touched her. The rest of her was smoke.

Thousands of years of ideological, philosophical and practical decisions were made. They altered the surface of the earth, the coordinates of our souls. For every one of those decisions, maybe there's another decision that could have been made, should have been made.

A sparrow lay dead on the backseat. She had found her way through a hole in the windscreen, tempted by some seat-sponge for her nest. She never found her way out. No one noticed her panicked car-window appeals. She died on the backseat, with her legs in the air. Like a joke.

Each of the Iraqi children killed by the United States was our child. Each of the prisoners tortured in Abu Ghraib was our comrade. Each of their screams was ours. When they were humiliated, we were humiliated. The U.S. soldiers fighting in Iraq - mostly volunteers in a poverty draft from small towns and poor urban neighborhoods - are victims just as much as the Iraqis of the same horrendous process, which asks them to die for a victory that will never be theirs.

The U.S. corporate media, otherwise known as the "free press," is that hollow pillar on which contemporary American democracy rests.