The Occupy movement found places where people who were feeling that anger could come and share it - and that is, as we all know, extremely important in any political movement. The Occupy sites became a way you could gauge the levels of anger and discontent.

There's no division on my bookshelf between fiction and nonfiction. As far as I'm concerned, fiction is about the truth.

I don't want to be a victim. I don't want to disappear into the darkness.

Literature is the opposite of a nuclear bomb.

The [Booker] prize was actually responsible in many ways for my political activism. I won this thing and I was suddenly the darling of the new emerging Indian middle class – they needed a princess. They had the wrong woman. I had this light shining on me at the time, and I knew that I had the stage to say something about what was happening in my country. What is exciting about what I have done since is that writing has become a weapon, some kind of ammunition.

I grew up in a little village in Kerala. It was a nightmare for me. All I wanted to do was to escape, to get out, to never have to marry somebody there. Of course, they were not dying to marry me. I was the worst thing a girl could be: thin, black, and clever.

It's very easy for me to begin to believe the publicity about myself, whether for or against. It can give you an absurd idea of yourself. I know that there's a fine balance between accepting your own power with grace and misusing it. And I don't ever want to portray myself as a representative of the voiceless. I'm scared of that.