All my books are accidental books - they come from reacting to things and thinking about things and engaging in a real way. They are not about, 'Oh, did it get a good review in the Guardian?' I don't care.

The people who are getting rich can't imagine that the world is not a better place.

The [Booker] prize was actually responsible in many ways for my political activism. I won this thing and I was suddenly the darling of the new emerging Indian middle class – they needed a princess. They had the wrong woman. I had this light shining on me at the time, and I knew that I had the stage to say something about what was happening in my country. What is exciting about what I have done since is that writing has become a weapon, some kind of ammunition.

What's a country? It's just an administrative unit, a glorified municipality. Why do we imbue it with esoteric meaning and protect it with nuclear bombs? I can't bow down to a municipality... it's just not intelligent. The bastards will do what they have to do, and we'll do what we have to do. Even if they annihilate us, we'll go down on the other side.

One beach-colored. One brown. One Loved. One Loved a Little Less.

I need fiction like you need to eat or exercise.

The minute what you think of as radical becomes an institutionalised, funded operation, you're in some trouble.