All my books are accidental books - they come from reacting to things and thinking about things and engaging in a real way. They are not about, 'Oh, did it get a good review in the Guardian?' I don't care.

The [Booker] prize was actually responsible in many ways for my political activism. I won this thing and I was suddenly the darling of the new emerging Indian middle class – they needed a princess. They had the wrong woman. I had this light shining on me at the time, and I knew that I had the stage to say something about what was happening in my country. What is exciting about what I have done since is that writing has become a weapon, some kind of ammunition.

I sometimes think I was perhaps the only girl in India whose mother said, "Whatever you do, don't get married". For me, when I see a bride, it gives me a rash. I find them ghoulish, almost.

Biology designed the dance. Terror timed it. Dictated the rhythm with which their bodies answered each other. As though they already knew that for each tremor of pleasure they would pay with an equal measure of pain. As though they knew that how far they went would be measured against how far they would be taken.

People rarely win wars, governments rarely lose them. People get killed. Governments moult and regroup, hydra-headed. They use flags first to shrink-wrap people's minds and smother thought, and then as ceremonial shrouds to bury their willing dead.

Impelled by feelings that were primal yet paradoxically wholly impersonal. Feelings of contempt born of inchoate, unacknowledged fear--civilization's fear of nature, men's fear of women, power's fear of powerlessness. Man's subliminal urge to destroy what he could neither subdue nor deify.

I don't want to be a victim. I don't want to disappear into the darkness.