My older movies, I find easier to watch.

In terms of my relationships with a lot of the adult characters, when I was working with Harrison, it wasn't like a verbal agreement, but we both understood that because there was this constant tension between our characters, we couldn't say "Cut" and start acting normal. We had to keep an essence of that relationship in our characters off screen which is really important.

My theory. Music can fix anything. Anything.

I think that a lot of the time I don't go for something in particular. I see what comes to me, I filter it out. I never really strive to play a particular character or do a particular genre of film. As long as it's a good script and a great range of people and my character is really interesting I can't see any reason not to do it.

I managed to stay grounded and when I wasn't working, I was hanging out with my friends so I was still able to be a kid and have that part of my life. I didn't let acting take over completely.

I never wanted to be home-schooled. I didn't like the idea of being home-schooled. It would only separate myself even further from the real world, and that's never what I wanted.

I think I can speak for a lot of people in that they would be pretty nervous about meeting Harrison Ford, and I was definitely one of those people. For me, and I think for all of us, once you get to know him, you do get on very well. He's such an amazing person and an amazing actor. There were so many young people on the set and he really pulled the best out of us.