I do photography and I studied film at school. So I've always really enjoyed that and I've got an eye for camera angles I guess. I've never taken that into filming wildlife.

When you really want a role and you really want a character, you become quite close to the script and the project, and it is sad when it doesn't go your way. But I've found there's always another one, which will be as good if not better. You can't let your failures bring you down when you're an actor, because then you can't get up.

I do photography and I studied film at school. So I've always really enjoyed that and I've got an eye for camera angles I guess. I've never taken that into filming wildlife.

Doing something different, doing something original is always fun because there is a lot of creativity that comes with it.

The first time I met Harrison, I think, was at the very first read through of the script. As anyone would be, I was a bit nervous before meeting him. I mean, it's Han Solo, so it was quite crazy. But once you get to know him, he really is such an amazing person. He's such an amazing actor as well. As I said before, his presence really does get the best out of you as an actor.

In terms of my relationships with a lot of the adult characters, when I was working with Harrison, it wasn't like a verbal agreement, but we both understood that because there was this constant tension between our characters, we couldn't say "Cut" and start acting normal. We had to keep an essence of that relationship in our characters off screen which is really important.

I like to keep my options very open and try not to focus on trying to get something. That's just how I'm playing it and it's worked so far.