I do photography and I studied film at school. So I've always really enjoyed that and I've got an eye for camera angles I guess. I've never taken that into filming wildlife.

I can clap really fast. I can beatbox. I can type the alphabet in under 2 seconds. That's probably the one I'm most proud of.

I still get star-struck by people like Harrison Ford, but I think it's become more natural and more a part of my life. You have to be professional and keep a straight face. You can squeal behind their backs.

For every role you get, there are five roles that you don't.

For me, with any character, there are different ways that you approach understanding him, and in this film in particular, because I had the novel to refer to. It's always really helpful to have all of that information and all of those hundreds more words which give you an idea into the background and your character and all.

In terms of my relationships with a lot of the adult characters, when I was working with Harrison, it wasn't like a verbal agreement, but we both understood that because there was this constant tension between our characters, we couldn't say "Cut" and start acting normal. We had to keep an essence of that relationship in our characters off screen which is really important.

I've pretty much always had the same haircut my entire life.