When you're younger, you get scripts that you are too young for and now I'm getting scripts, which I think, "I'm too old for this character." They can always shift things around to make it work and make the ages work. But I'm definitely getting more complex and interesting roles and less what you would expect. So I can experiment more and have a bit more freedom when I'm putting things on tape.

I can clap really fast. I can beatbox. I can type the alphabet in under 2 seconds. That's probably the one I'm most proud of.

I think I can speak for a lot of people in that they would be pretty nervous about meeting Harrison Ford, and I was definitely one of those people.

I like to keep my options very open and try not to focus on trying to get something. That's just how I'm playing it and it's worked so far.

Doing something different, doing something original is always fun because there is a lot of creativity that comes with it.

Don't do piracy. Piracy is a crime.

In terms of my relationships with a lot of the adult characters, when I was working with Harrison, it wasn't like a verbal agreement, but we both understood that because there was this constant tension between our characters, we couldn't say "Cut" and start acting normal. We had to keep an essence of that relationship in our characters off screen which is really important.