The fact that I do place music at the end of my films is not to accentuate the emotion. It serves an opposite purpose which is to remove them from the emotional space and allow them to enter a space of thinking, because I believe that when the audience is watching the film they're watching it with their feelings.

Because I write the screenplay entirely and precisely, there is the danger that an actor might feel that this finite role is being imposed on them. I want the actors to feel that this is their own role, and that they can go back to point zero and develop this character.

I tend to jot down moments, lines, interactions that don't really make any sense. I try and explain these scattered notes to my close friends, and they become more and more logical. I see screenwriting as a bit like a math equation which I have to solve.

I see screenwriting as a bit like a math equation which I have to solve.

Is there one specific source that determines correct morality and everybody should follow that? Or should individuals come up with following that source or not depending on their situation?

One of the biggest blessings in my life is that I have a very wonderful family, a lovely wife and two lovely daughters.

It was important to me to make a film where I don't show the past but where the spectators can see the past.