Is there one specific source that determines correct morality and everybody should follow that? Or should individuals come up with following that source or not depending on their situation?

Because I write the screenplay entirely and precisely, there is the danger that an actor might feel that this finite role is being imposed on them. I want the actors to feel that this is their own role, and that they can go back to point zero and develop this character.

When we talk about self-confrontations, we are speaking about moral issues rather than social issues.

I think that theater is the closest medium to music. It's very pure. It's for the elite of the society. It's not for everyone in the society.

I gained a great deal from the period during which I worked in theater and I value those things a great deal.

I feel its important to talk about the complex issues affecting us.

Often times, music is used to evoke an emotion and it's become a cliche, so I don't want to do that, and actually what I do, is that emotional intensity that has developed throughout the film, I allow it to get released by having that music at the end with the credits.