I've definitely been in relationships where I've given too much, and I've been in relationships where I haven't given enough. I think it's a work in progress. I have to find that person where it clicks.

You need to keep everyone wanting more. Every character has so much depth, and there was so much thought that went into it, but it would've taken away at some point from the main story, and everything I think kind of was woven together really beautifully, so that you cared about everyone, and everyone had their own story, but everything helped the main plotline.

Hollywood is so small that everyone has either worked with someone or knows someone who knows someone and so it was kind of easy and fun. And I think there's something exciting about being, like, "Hey! Welcome to the set!" and making everyone feel welcome, and making it fun, 'cause everybody knows what it's like to be the new kid.

I travel a lot so I do everything I can to keep my skin fresh and hydrated. Whenever I fly, I make sure I have a clean face so I can give my skin a break.

I worked with and became close with these characters [in Twilight] and the people who are portraying them and it's kind of, I think, a safety net that we had, and it's going to be kind of strange not going back to set with these people that I've become so familiar with.

I think that I'm very old fashioned in terms of my film references and what appeals to me, in a way with camera moves and a depth of color to bring things to it.

What 'Twilight' gave me was years to consider how I wanted to work otherwise.