[Alice Cullen] disappears for a little bit to go gather some people to help the cause, but when she comes back she is definitely very present and, yeah, I had a lot of fun doing that.

We are so used to not having kids around [on Twilight] that we had to really make an effort to try and edit our language.

I did side planks for my obliques, which are one of my trouble areas. And traditional planks tone your back so you don't have that little bit of fat hanging over your bra. Ugh!

You never know, when you're going in to work with people if they're gonna be friendly or judgmental, or what have you. There's a ton of insecurities that go into my head, before I start working with someone.

I feel like there is never enough, and it's interesting to me because I don't think I'm that interesting. I can definitely bring something to the table, but it's just always incredible our fans are so dedicated and interested in what we are doing.

What 'Twilight' gave me was years to consider how I wanted to work otherwise.

I kind of started with this foundation, and tried to do all the research I could do for Alice [Cullen], and then every time a [new] director would come in, they have their own artistic take on things and add in new elements. And a lot of times they would ask, "What did you love that you portrayed, and what do you wish that you could show?" So I felt, with each installment, I got the opportunity to add on something. I think she was very - you know, really sweet, [laughs] a little odd in the first installment.