My husband is always telling me: 'We're on holiday - we don't need to have an itinerary!' But I always want to see as much as I can. Sometimes, I come back from holiday needing a holiday.

I think that children that are acting are always pretty savvy anyway because you're conducting yourself around adults a lot of the time, aren't you? But there is this worry now that children just want to be famous.

Nobody is more individual than you, so be confident with who you are and what you have to offer because everybody has got things to offer.

As a child, I always chose a false nose and some face paint and a wig for my birthday.

I was in King Lear with Sir Tom Courtenay at The Royal Exchange in Manchester. In fact, that's where I met my husband. I was playing Regan and he was playing Cornwall and together we fell in love plucking out Gloucester's eyes. It was great fun. Everyone assumes that I was Cordelia because I've got blonde hair but I was Regan and they gave me a long auburn wig. It was great, good fun.

I still giggle when someone asks for my address and I say, Hollywood, Los Angeles.

There was actually a camera on your face. I don't know so much about the animation process but the camera was in our face so it could get expressions from our faces that would eventually arrive on the gnomes. It almost felt like you were cheating at times because it was a wee bit too much fun. You were in that box on your own. Kelly [Asbury] was in Toronto, I was in LA, so I was just on my own. I thought: "I can't be getting paid for this as well!"