I'd just as soon freeze to death.

When I was working on Eye of the Beholder, I played a character who is so aloof that my whole lifestyle became very aloof. If someone knocked on my door, there was a part of me that went into a rage, because I wanted to be isolated and alone.

When I accept a role, I feel that as an artist I have to submit completely to the tutelage of my director. And while I expect to be heard and encouraged and honored, at the end of the day, man, it's the way the director wants it.

For Native Americans, the most shameful and powerful corrective gesture is to literally and physically turn one's back upon a person who has transgressed, and then after they've been banished for a while, they come back into the circle and the members of the tribe say every good thing that person has ever done, because they have to be welcomed back.

I've always been crazy for the American songbook.

My first big acting performance was in the Marilyn Monroe biography piece, and it required frontal nudity. I talked to Mira Sorvino, my co-star, about how nervous I was because I didn't know how my mom would react. She said, 'Can I be completely honest with you? I've seen your mom in interviews, and she seems pretty screwed up. I don't think there's much you could do to shock a broad like that.' And from that moment on it was big nipples to the wind!

More often than what you're suggesting, I find people are surprised that I have an urban side to me.