That's a very odd notion because it involves seeing money up there on the screen - if something cost $5 million to make, they want to see that $5 million up there.

I find it deeply upsetting when I see justice not being served. How do we as human beings deal with the unknown? The West Memphis Three trial is a joke on so many different levels.

I love when people are resilient and when they form ways of dealing with grief or dealing with some traumatic episode, and sometimes those are the wrong choices.

We're still staring at TV screens, right? They're still monitors. But the way information is delivered is different. So it creates an interesting way of looking back at early films, because they're actually relevant in terms of the devices people are using. But the consideration, the debate, around those technologies was very different from what's being presented now.

Right now my career is totally schizophrenic, because when an American production like Hitchcock Presents asks to see my work I would never dream of showing them my independent films.

I think ultimately if you have a very high expectation of your audience and you know exactly what it is you're trying to express through the medium of film, there will always be an audience for you.

Sometimes you think you want to know something, but it's actually more exciting and more resonant when you have to try [and figure it out].