I think in the end there is one ultimate goal with all my careers, and that is, as a performing artist, you want to explore the deepest, most truthful way to express a point of view, or whatever the character is thinking, or whatever emotion you're trying to convey. I think with the different media it's just about what muscles you use to express that.

I think a part of evolution is the desire to know yourself, and know the world you live in, and discover everything you can about the world you live in. That world can be the microcosm of your own emotions, or a society, or the cosmos. There's this constant desire for knowledge.

The authentic Gullah dialect is actually very clipped, and so it would sound almost Jamaican and be very odd to an American audience's ears. It's not the typical Southern dialect that we're used to.

A doctor can be a doctor today and they will be a doctor tomorrow. But an actor, well you're not working at anything right now, whereas the doctor is going to have their job tomorrow, for the most part. So there's the insecurity of that, and you have to go where the work is.

...and if you hear something you know, please sing along. No wait - I take that back - you can't sing along - this is about me now - this is my show.

Some sort of creativity is within everybody; I think that's just a part of the human spirit. I think there's no human being on earth who is not creative in some way, because I think it's just a part of our genetic makeup.

I think it's absolutely essential to encourage creativity. I think we come in as these wide-eyed sponges, ready to create and absorb and evolve, and I think more often than not we are squashed, the older we get.