I think in the end there is one ultimate goal with all my careers, and that is, as a performing artist, you want to explore the deepest, most truthful way to express a point of view, or whatever the character is thinking, or whatever emotion you're trying to convey. I think with the different media it's just about what muscles you use to express that.

The only thing I've ever wanted to do in my entire life is to be on Broadway.

Pedigree matters: if you break your shoulder trying to open a door, it's much harder to play the game once you get in the room.

Every human being has a dream. I think what's special about the American Dream is that it implies, given everything that's happened with the history of America, that there is the opportunity to make your dream come true. So I think America signifies opportunity.

Whatever is the scariest is almost always what I end up choosing.

I'm taking opportunities as they come; I really am. Not to get too sort of mystical, but I believe in fate. I believe when roles are presented to me in my life they're for a very specific reason, something for me to learn. And it's coming at the right time.

For me, I am constantly forcing myself to evolve, because, I think, to stagnate creatively - there's a certain death that happens with that. Because if you're not moving forward and you're not evolving, you're devolving, and I don't want to go backwards. I want to be better at what I do tomorrow than I am today. I don't want to be worse.