I’m curious about things that people aren’t supposed to see—so, for example, I liked going to the British Museum, but I would like it better if I could go into all the offices and storage rooms, I want to look in all the drawers and—discover stuff. And I want to know about people. I mean, I know it’s probably kind of rude but I want to know why you have all these boxes and what’s in them and why all your windows are papered over and how long it’s been that way and how do you feel when you wash things and why don’t you do something about it?

Think for a minute, darling: in fairy tales it's always the children who have the fine adventures. The mothers have to stay at home and wait for the children to fly in the window.

I told Ing once that she dances like a German and she didn't like it, but it's true: she dances seriously, like lives are hanging in the balance, like precision dancing can save the starving children of India.

Henry loves my hair almost as though it is a creature unto itself, as though it has a soul to call its own, as though it could love him back.

He said something interesting: he said that he thinks there is only free will when you are in time, in the present. He says in the past we can only do what we did, and we can only be there if we were there.

Time passes and the pain begins to roll in and out as though it’s a woman standing at an ironing board, passing the iron back and forth, back and forth across a white tablecloth.

Outside it's a perfect spring night. We stand on the sidewalk in front of our apartment building, and Henry takes my hand, and I look at him, and I raise our joined hands and Henry twirls me around and soon we're dancing down Belle Plaine Avenue, no music but the sound of cars whoosing by and our own laughter, and the smell of cherry blossoms that fall like snow on the sidewalk as we dance underneath the tress.