I don't know where I'm going to be in three years. Because I have the feeling that the future is so full of possibilities, to stop being an actress, to do something else... for me, the future is just a huge bunch of discoveries.

I like the light that comes off metal shutters at siesta time in the summer, having a break from driving in the shops at motorway services, the odour of petrol at petrol stations, rolling down little slopes. I hate it when you tread in a puddle and the water soaks your socks.

People in France are very intrusive when they recognize you. In New York, they are very polite, with quick words, so it's great.

After each experience, you grow up, you get enriched with something, and you don't know how you're going to be in six months, you don't know what you're going to want, what you're going to need.

I think that when you create something or at least try to create something, you slither between excitement and pleasure and you understand this huge emotional frustration. You did one feat, then you go back one.

I understand that nobody understands me, but I can't be someone I'm not.

There are moments when it's unbelievable how people who work on the hair or on the little bit of skin here, they have no other care or interest since this part of their job is the only thing that needs to look good. So you have to push everybody to the side so that you can have a connection with your actor and give some air to your actor.