When you decide to adapt some Russian novel, it's like everyone knows about it but nobody has read it.

I don't know where I'm going to be in three years. Because I have the feeling that the future is so full of possibilities, to stop being an actress, to do something else... for me, the future is just a huge bunch of discoveries.

I like photography and writing and travel, so I have a lot of cerebral occupations. I am going to become a sailor and do a world tour on my yacht if I don't get any more work.

I think that when you create something or at least try to create something, you slither between excitement and pleasure and you understand this huge emotional frustration. You did one feat, then you go back one.

A certain type of critic doesn't really want French movies to be visual. They think movies started from books and they forgot this part of moviemaking, like Chaplin and Buster Keaton, which I didn't forget.

I love the fact that there's an evolution in your understanding and the difference between the first time you play the role and last time you play the role - there's an incredible arc and that's wonderful.

When you decide to adapt some Russian novel, it's like everyone knows about it but nobody has read it.