When I first started writing plays I couldn't write good dialogue because I didn't respect how black people talked. I thought that in order to make art out of their dialogue I had to change it, make it into something different. Once I learned to value and respect my characters, I could really hear them. I let them start talking.
August WilsonThere's no reason why you can't say "August Wilson, playwright" even though all of my work, every single play, is about black Americans, about black American culture, about the black experience in America. I write about the black experience of men, or I write about black folks. That's who I am. In the same manner that Chekhov wrote about the Russians, I write about blacks. I couldn't do anything else. I wouldn't do anything else.
August WilsonBlacks have traditionally had to operate in a situation where whites have set themselves up as the custodians of the black experience.
August Wilson. . . what happened, of course, was that I was writing a play set in the 1940's that was supposed to be somehow representative of black American life, and I didn't have any women in there. And I knew that wasn't going to work.
August Wilson