I gazed around the room and my eyes stopped dead on a little boy standing in the corner. This was a particularly eerie doll. Life-sized and blond-haired and blue-eyed. I saw a little Nazi boy, pockets probably stuffed with scissors and retractable blades. My grandfather on my mother's side was rumored to be half Jewish, which practically makes me Jerry Seinfeld's brother, and thus wary of blond German boys with their hands out of sight.

Red hair is great. It's rare, and therefore superior.

In general, advertising isn't a "creative" atmosphere. It's a business atmosphere and your job is puzzle solving. My favorite aspect of the business, I guess, was presenting to clients. What I enjoyed least were the clients. Worried corporate brand managers, trying to dumb-down their ads for the stupid American population. I hated the disrespect that these people had for "consumers."

I did not consider him to be any kind of a genius. I considered him deeply lacking in the area that mattered most in life. Star quality.

I think part of the reason I'm attracted to Foster is because he's such a mess. I mean, the people I have loved in my life have never been easy to love. I'm not used to normal. I'm used to disaster. I don't know, as messed up as he is, he's also sort of exciting, sort of a challenge. I'm accustomed to working for love.

I was on the cover of a lot of newspapers. I was on the cover of USA Today for every single day for a month. I was on the masthead, so I tend to get recognized a lot, and in weird places. It's always flattering, and it's always odd. It's always at the worst possible time.

I feel like they are two different things, and when I write books, they're just books. If they can be movies that's okay. But I would write a novel that couldn't be a film.