The most important thing for a writer to do is to write. It really doesn't matter what you write as long as you are able to write fluidly, very quickly, very effortlessly. It needs to become not second nature but really first nature to you. And read; you need to read and you need to read excellent books and then some bad books. Not as many bad books, but some bad books, so that you can see what both look like and why both are what they are.

So that's what I'm here to become. And suddenly, this word fills me with a brand of sadness I haven't felt since childhood. The kind of sadness you feel at the end of summer. When the fireflies are gone, the ponds have dried up and the plants are wilted, weary from being so green.

It was unnerving, the way she could go from cool efficiency to sarcastic to sweet within the space of thirty seconds. I found it very manipulative and controlling. It put the other person constantly on-guard. And it was extremely intimidating because you never knew when she was going to snap. I made a mental note to refine these skills within myself.

What police officer would dare ticket Death's minivan?

Confidence is a reduction of your own interest in whether others are thinking about you and if so, what they're thinking.

It terrified me to consider: What if, as a grown-up, I craved another body beside me as still as this one? What then?

I've just finished my next collection, Possible Side Effects, and I'm now working on a collection of holiday stories as well as a memoir about my relationship with my father.