Theatre is a weapon. For that reason it must be fought for.
Empathy is the most powerful weapon [...]
The theater itself is not revolutionary: it is a rehearsal for the revolution.
The poetics of the oppressed is essentially the poetics of liberation: the spectator no longer delegates power to the characters either to think or to act in his place. The spectator frees himself; he thinks and acts for himself! Theatre is action!
Theatre is the art of looking at ourselves.
It is forbidden to walk on the grass. It is not forbidden to fly over the grass.