All my photographs seep through EMOTION , through the relationship I establish with the place I am portraying. Whenever I see something that captivates me, I start turning around it to find MY OWN frame. I work on myself and on the city at the same time.

Light enhances but its shadow deletes, thus giving the picture its depth, its third dimension and its subtractive properties... I believe that commitment and technical skill can be achieved by means of one's own will and study , while fantasy and passion are more valuable because they are innate and inescapably peculiar assets.

All my photographs seep through EMOTION , through the relationship I establish with the place I am portraying. Whenever I see something that captivates me, I start turning around it to find MY OWN frame. I work on myself and on the city at the same time.

An incipient Mother Man has always inhabited my deeper self; creativity has always been my companion ... I have tried to express myself in a very definite style but by means of all kinds of materials and formats. I wish to discover how my own creativity unfolds under different circumstances... Naples is a dilemma that fatally elicits an oneiric interpretation and I love it and feel grateful because it has nurtured my fantasy.

I need geometry to set the grammar of the image expressive language . The structural skeleton, the composition and the geometric layout provide a perspective from which one can read the image; otherwise we would do what Dadaists did when they put words in a little bag and then took them out at random in order to compose a poem.

Great photography comes about at the right time but it also needs the right cut that enhances that precise moment. Photography must feed on both contents and form, if it gives up the one for the other it is not going to last.

First and foremost I feel I am a child of God ....Today I think that everything matters, but like a nice game of relative importance and value, certainly not absolute like conversion.