I try to write about complex issues--young people in an adult world-- full of irony and contradiction in a narrative style that relies heavily on suspense with a texture rich in emotion and imagery. I take a great deal of satisfaction in using popular forms-- the adventure, the mystery, the thriller-- so as to hold my reader with the sheer pleasure of a good story. At the same time I try to resolve my books with an ambiguity that compels engagement. In short, I want my readers to feel, to think, sometimes to laugh. But most of all I want them to enjoy a good read.
AviLet's agree then . . . if you're about to come to a conclusion, you'll head off in another direction. You might even find your own voice.
AviA sailor chooses the wind that takes the ship from a safe port. Ah, yes, but once you're abroad, as you have seen, winds have a mind of their own. Be careful, Charlotte, careful of the wind you choose.
AviNow give me a kiss, say you love me and off you go." "Sure, Aunt Lu," I said, and I gave her the kiss she wanted. Then I ran out and caught my bus. I didn't say I loved her. I guess I did. But asking someone to say they love you--and she always asked--is like buying yourself a birthday present. It's more than likely exactly what you want. But it must make you feel awfully sad to get it.
Avi