I've always worn a lot of Ralph Lauren, and plaid shirts in general have been a signature piece for me. With plaid, you can look super-relaxed or you can look a bit dressed up.

To me, I'm always trying to look for the energy, to imagine in being played on the dance floor. I guess that's the most important thing in making music for me.

When it comes to electronic music, I started listening to a lot of Daft Punk, way before I knew what house music was, and then progressed into a lot of Steve Angello, Eric Prydz, Axwell, Sebastian Ingrosso, and Laidback Luke.

People in Sweden are very conscious of what people are saying about you.

If I wanted to make a quick buck, there's far easier ways of doing it. What I want is to provoke people. If you want a hit song, all you need to do is rewrite an old song. It might have been proven to work, but you won't be remembered the same way.

Obviously there is stuff that I wouldn't play in a club that I play at festivals, and vice-versa, but my sets are still dominated largely by my own music. I think that's what makes me stand out a bit. My music is also festival- and club-friendly, so it generally works out well.

There's always so much music around me now, it seems like everything has to be something with music, so in my spare time I try not to listen to anything. It's so hard for me to listen to something without trying to see a benefit in it: "Maybe I'll make my own version of that track or maybe I'll do this or that." When I'm off I just don't want to hear anything.