There is a forgotten black middle class in America - a group which is huge but underrepresented in the media and in art. It's difficult to talk about these things, because it forces one to talk in generalities, but that's my view. I do think the idea of a blanket class for black people is unfortunately still present.

Fiction writing is an act of imagination, lived experience is secondary in many ways, writing a novel really is all about inventing worlds and people.

The ways in which theological constructs pose questions about what it is to be a human being on this earth are deeply elegant and deeply interesting to me. I may not always agree with the answers religion offers, but I take great interest in the questions it poses.

Racial terrorism affects the lives of white people and black people and everyone, everything. Racism is contaminating. It can affect the dogs in the street. So the process of beginning to rid the country of prejudice was in itself a kind of nation-building.

There is still an assumption among many people that to be black is to be lower class. In the last fifteen to twenty years, perhaps even further back than that, there's also been an explosion of a very wealthy black class in the United States, but those people are often treated as special cases: they're athletes, entertainers. Jay-Z. Basketball players. The country metabolizes the fact these rich black people exist, but it seems only to reinforce the idea that every other black person is limping along in poverty.

I've been writing all my life. Even though I didn't have sort of careerist aspirations as a writer, it was very much my identity.

I couldn't imagine a book with many characters in it and one of them not being gay. It would have felt like a glaring and problematic omission for me. But I also wanted to write that character as a person, not just a gay person.