Where would the memoir be without bipolar writers? I mean, that's what - that whole oversharing thing is really a very clear symptom of bipolar disorder. And I'm not saying that every, you know, I'm not accusing every memoirist of being bipolar. But I think in a way it's kind of a gift.

My kids are incredibly secure. More and more of their friends' parents are divorcing, but my kids have absolute confidence that we'll stay together forever. That goes a long, long way.

So many women today have become so focused on their children, they've developed these romantic entanglements with their children's lives, and the husbands are secondary. They're left out. And the romantic focus is on the children.

I certainly don't think it's inevitable that we don't love children who don't carry our own DNA. If that were true we wouldn't have millions of successful adoptions to consider. I do think that it's harder to love a child when you come into that child's life after the unrequited passion of infancy and early childhood has passed.

Love & Marriage are about work & Compromise. They're about seeing someone for what he is, being disappointed and deciding to stick around anyway. They're about commitment and comfort, not some kind of sudden, hysterical recognition.

Before I was married, I didn't consider my failure to manage even basic hand tools a feminist inadequacy. I thought it had more to do with being Jewish. The Jews I knew growing up didn't do 'do-it-yourself.' When my father needed to hammer something he generally used his shoe, and the only real tool he owned was a pair of needle-nose pliers.

I think it's worth trying to be a mother who delights in who her children are, in their knock-knock jokes and earnest questions. A mother who spends less time obsessing about what will happen, or what has happened, and more time reveling in what is.