I mean, I do actually think there is a qualitative difference between aborting in the early part of the first trimester and in, you know, the middle or later part of the second trimester, in a way that you feel about it in that you grow attached.

The biggest challenge for any craft person or artist is to accept the constraints of their medium and make something beautiful despite them. That's kind of fun, actually.

I did not want to raise a genetically compromised child. I did not want my children to have to contend with the massive diversion of parental attention, and the consequences of being compelled to care for their brother after I died. I wanted a genetically perfect baby, and because that was something I could control, I chose to end his life.

Most writers spend their lives standing a little apart from the crowd, watching and listening and hoping to catch that tiny hint of despair, that sliver of malice, that makes them think, 'Aha, here is the story.'

The legalization of drugs, a proliferation of a public health approach to drug use and drug addition, a compassionate mental health system. And can we just say gender equality and the end of mass incarceration and the final shedding of the vestiges of a slave-based nation? Can we have that, too? Can I have it all?

I love the novel of 'The English Patient'; I think it's a profoundly beautiful novel. I love the movie of 'The English Patient'; I think it's a profoundly beautiful movie. And they're totally different. You accept each on its own terms, and that's kind of the ideal.

As a novelist, I mined my history, my family and my memory, but in a very specific way. Writing fiction, I never made use of experiences immediately as they happened. I needed to let things fester in my memory, mature and transmogrify into something meaningful.