I am consumed, or I have been consumed, with these issues of motherhood and the way we act out societal expectations and roles. So both my nonfiction and my fiction have been pretty much exclusively about that.

For a couple of months there I was shrieking like a banshee.

The Q I loathe and despise, the Q every single writer I know loathes and despises, is this one: 'Where,' the reader asks, 'do you get your ideas?' It's a simple question, and my usual response is a kind of helpless, 'I don't know.'

The idea of going down to Central or South American and taking ayahuasca and shitting my pants and puking in a circle of overprivileged white people is not my idea of a good time. That's not going to happen.

I'd never written nonfiction about the war on drugs, but I know a tremendous amount about it: I taught a class on it for seven years. I was putting into words the stuff I was teaching, and I was writing it up and thought, "Dude, you're writing a book."

If you focus all of your emotional passion on your children and you neglect the relationship that brought that family into existence... eventually, things can go really, really wrong.

I pity the young woman who will attempt to insinuate herself between my mama's boy and me. I sympathize with the monumental nature of her task. It will take a crowbar, two bulldozers and half a dozen Molotov cocktails to pry my Oedipus and me loose from one another.