If I get lucky and I can choose, I would always choose a really good story and screenplay, even if I don't know the director. If there's a good screenplay, there's a chance that something good is going to happen.

Even if the dramatic scenes are really hard, if you're happy with what you have and it's been creative and you had a good time with the people you worked with, that's a good day.

If I get lucky and I can choose, I would always choose a really good story and screenplay, even if I don't know the director. If there's a good screenplay, there's a chance that something good is going to happen.

I grew up watching a lot of Italian and French movies, so I want to have that '70s look, in my dream movie. I want that thing that's not so much happening now, that's existentialist.

I do tend to like movies that challenge me, professionally. That's mostly on a smaller scale, when you have one or two or five actors, and it's all about the acting and not the camera.

There are so many directors that I want to work with, but I can't tell you that there's one role. If I knew it, I would write it for myself.

Even in the big movies, if the scenes are very big, I'm not fond of them as much as I'm fond of small actor scenes.