I'm fascinated by evil queens. They're very alluring and repellent at the same time, and I'm into that dichotomy.

I was one of five out of 100 people who passed the test, which just proved to me how little Americans are taught geography.

I'm sure that a lot of my friends - even though they're curious about the music of nations that are not on their radar - still don't know what Kuwaiti music sounds like.

I feel like there is an emphasis against teaching geography in American schools. Americans don't say, "I'm going to Germany." They say, "I'm going to Europe."

There's a big difference between the Arabic and Western scales. One uses quarter tone system and one doesn't. So in order for me to compose real Arabic scale melodies, I would need an Arabic keyboard, and I don't have one. So I had to compose Arabesque melodies.

The first question [American college kids] asked me was, 'What state is Kuwait in?' They thought Kuwait was in America.

This has always been my problem with genres is that they've turned into marketing tools. I've never been a person that allows themselves to be in any kind of box and I think that genres can be used as tools to define BPM or something but I think they're suffocating of music and other art. And I think they're inaccurate when they come to describing my work. Maybe other people like defining it, but I don't.