Every great work of art ... is a celebration, an act of insubordination against the betrayals, horrors and infidelities of life.

The worst crime committed by totalitarian mind-sets is that they force their citizens, including their victims, to become complicit in their crimes. Dancing with your jailer, participating in your own execution, that is an act of utmost brutality.

Only curiosity about the fate of others, the ability to put ourselves in their shoes, and the will to enter their world through the magic of imagination, creates this shock of recognition. Without this empathy there can be no genuine dialogue, and we as individuals and nations will remain isolated and alien, segregated and fragmented.

Those in the west who dismiss the repressiveness of laws against women in countries like Iran, no matter how benign their intentions, present a condescending view not just of the religion but also of women living in Muslim majority countries, as if the desire for choice and happiness is the monopoly of women in the west.

Empathy lies at the heart of Gatsby, like so many other great novels-the biggest sin is to be blind to others problems and pains. Not seeing them means denying their existence.

We do not read in order to turn great works of fiction into simplistic replicas of our own realities, we read for the pure, sensual, and unadulterated pleasure of reading. And if we do so, our reward is the discovery of the many hidden layers within these works that do not merely reflect reality but reveal a spectrum of truths, thus intrinsically going against the grain of totalitarian mindsets.

This is a good time to ask apologists for the Islamic regime, who degrades Islam? Who imposes stoning, forced marriage of underage girls and flogging for not wearing the veil? Do such practices represent Iran's ancient history and culture, its ethnic and religious diversity? Its centuries of sensual and subversive poetry?