I've put up with more humiliation than I care to remember.

A guitar is like an old friend that is there with me.

Blues purists never cared for me. I don't worry about it. I think if it this way: When I made 'Three O' Clock Blues,' they were not there. The people out there made the tune. And blues purists just wrote about it. The people is who I'm trying to satisfy.

Music is good for everybody. They say it soothes the savage beast. Well, I think theirs a beast in all of us. So let's get some more music and soothe all the beasts out there.

Charlie Christian had no more impact on my playing than Django Reinhardt or Lonnie Johnson. I just wanted to play like him. I wanted to play like all of them. All of these people were important to me. I couldn't play like any of them, though.

We are here because there are things that need our help. Like the planet. Like each other. Like animals. The world is like a garden, and we are its protectors.

I always liked the steel guitar. I also love the guys that play the bottleneck. But I could never do it; I never made it do what I want. So every time I would pick up the guitar, I'd shake my hand and trill it a bit. For some strange reason my ears would say to me that sounds similar to what those guys were doing. I can't pick up the guitar now without doing it. So that's how I got into making my sound. It was nothing pretty. Just trying to please myself. I heard that sound.