Charlie Christian had no more impact on my playing than Django Reinhardt or Lonnie Johnson. I just wanted to play like him. I wanted to play like all of them. All of these people were important to me. I couldn't play like any of them, though.

I was born on a plantation, and things weren't so good. We didn't have any money. I never thought of the word 'poor' till I got to be a man, but when you live in a house that you can always peek out of and see what kind of day it is, you're not doing so well. And your restroom is not inside the house.

I'm self-taught. But I finally learned that they was having little shows or night dances or whatever you call them at little juke joints not far from where I lived, and I used to go there. They wouldn't let me play inside, but I could sit outside on the weekends, when it wasn't raining or something.

There was a lot of other young players around at that time when I was coming, but there was older people like Blind Lemon, which was one of my favorites. I don't know, just seemed like everybody I heard could play better than me.

It's going to be years and years before most people realize how greatly he contributed to American music.

We are here because there are things that need our help. Like the planet. Like each other. Like animals. The world is like a garden, and we are its protectors.

I was glad to see other blues guitarists like Albert King have crossover successes like me. We played in the same places like the Whisky and the Filmore. When Albert made his guitar cry, he could cut you so deep!