For a long time networks just wanted to buy imitations of other shows - i.e. Curb (the Enthusiasm or the Office). The word gets out that "Hey, we want to buy something like that" and every comedy producer just starts dreaming up ideas like that.

There's so many variables in comedy. Comedy is not this thing that's a performance like a play. It's really an interaction with every single person in the room. And if there's a weirdness in the room for any people, be it something the comedians did at the top of the set or be it the mixture of the people isn't right, something can go awry. So it's really great to see you proven wrong about someone.

Scott and I had just worked with Jimmy Pardo doing a live show over the summer. And it was a lot of fun and we wanted to keep doing a live show. And as Scott said, we knew a lot of funny young people who needed a place to do stand-up. And we were in a place, where we were writing so much that we weren't around live comedy so much, so we kind of missed it.

There's two different disks recorded at two different shows. And they're two very different shows. The San Francisco disk was in front of 450 people and was a real professional show where people did their best stuff. So to some people that's going to be their favorite disk.

It's something we do every week. Every week kind of has bigger name headliners. It's all just our taste. There's a lot of people like Ian Edwards or Dan Mintz who a lot of people haven't heard of yet, but we know are really great. When we started the show five years ago it wasn't because Patton Oswalt needs another place to play. It was because we had a lot of new friends like BJ Novak or Morgan Murphy, who didn't have any club to play.

We're having so much writing some of the sillier stuff that never would have been on Mr. Show. And that's not a knock on Mr. Show at all, because it's my favorite comedy show of all time. Even before I worked on it. It's just really refreshing to write something so stupid and say, "We gotta do that."

The shows need youth. All of our comics are getting too famous to do the show regularly. The people who are regulars five years ago, a lot of them have moved on and can't do the show anymore. We can't really get Jim Gaffigan anymore, we can't get Nick Swardson anymore.