And with this show we're trying to be a little sillier. We can do a piece like one we wrote the other day called "Ghost Busters Busters". Where would never do that in a million years on Mr. Show, but somehow on this show it's silly and stupid and a little more disposable, so we can do something like that.
B. J. PorterThere's so many variables in comedy. Comedy is not this thing that's a performance like a play. It's really an interaction with every single person in the room. And if there's a weirdness in the room for any people, be it something the comedians did at the top of the set or be it the mixture of the people isn't right, something can go awry. So it's really great to see you proven wrong about someone.
B. J. PorterAnyone can have bad sets. I saw one guy who I really love - I won't mention his name - gave a set that was really bad. And then one month later did the exact same set on our show and it was great.
B. J. PorterThe second disk was taped at our all-night anniversary show. And some of those sets are taped at like 4:30 or 5 in the morning, when people are a little groggy and not doing what they would do if they knew it was being recorded. That said, that disk has an entirely different flavor. It's more experimental. It has more of the newcomers on it. It has people doing stuff that you won't see on Comedy Central or HBO specials.
B. J. PorterThere's two different disks recorded at two different shows. And they're two very different shows. The San Francisco disk was in front of 450 people and was a real professional show where people did their best stuff. So to some people that's going to be their favorite disk.
B. J. PorterAnd with this show we're trying to be a little sillier. We can do a piece like one we wrote the other day called "Ghost Busters Busters". Where would never do that in a million years on Mr. Show, but somehow on this show it's silly and stupid and a little more disposable, so we can do something like that.
B. J. Porter