As I've submerged myself in news of the revolutions sweeping North Africa and the Middle East, I wanted desperately to feel part of what was going on. And then it hit me: This is what white people were doing to me after Obama was elected!

New York has been the best gift, in that the city pushes me to so many next levels.

There's certainly a lot of noise in the hip-hop world now [that] I don't pay active attention to, but to the extent that I represent some flavor of what's happening in hip-hop - it's subconscious.

My family life and early political life - being exposed to the news constantly, being enrolled in an Afrocentric education program, and doing the extracurriculars I did - played a huge role in me finding my path.

When I look at what I'm doing today, I see [the] roots in my college life. I was the online editor of my college paper and an active member of the Harvard Computer Society. I abandoned a summer internship at the Washington Post due to injury and instead did theatre. I found my comedic voice through satirical newsletters in college.

"Black culture" is ready for whatever. I sense some momentum and excitement around black artists (especially in comedy, which is where most of my own art resides), really pushing the bounds of what has generally been expected as black. I don't think it's a revolution so much as an exposure of what has always been there, and now that the production and distribution means are more accessible, people can more easily find each other.

Mostly I try to be the best example of me that I can be.