Cynie Cory roams the outer reaches of the heart’s territory, from the snowy winter of family life to the tropical jungles of love. She wears her heart on her sleeve and it is as big as the country she writes about. Is she the quintessential American girl? You bet she is, part Annie Oakley, part Emily Dickinson—sharpshooting poet of wild nights. She zooms in on the detritus of love—the broken fragments, the fallen leaves—and puts together a collage that is as heartbreaking as it is beautiful. Watch out—she’s driving down your street.

One of things I write about a lot is the role of women. An older friend of mine said that she feels like there's always a tension between wanting to be free and wanting to be cherished. I think that's one of the things that my whole book speaks to, wanting to break out of the confines of the roles that are prescribed for women and yet at the same time, not wanting to be totally free. You want to have intimate relationships. It's that bursting out of confinement.

Everybody spoke English in my class, and they would turn to me and say, "What's going on in your country?" I would try to explain to Austrians, Poles, Australians, Israelis, Costa Ricans - people from all over the world - what was going on in our country. I would have to say, "I don't know what's going on, either. It's pretty evenly divided in our country. Sometimes one part's on top, and other times, the other faction is on top, and right now it's just crazy. We hate it as much as you do."

If someone didn't believe in me that would kind of be a compliment in a way.

You want to make a representative selection, but at the same time, you want to give a sense of the whole project. I have this big conflict in my writing life that I'm trying to work out all the time.

I was raised in a strict fundamentalist household, and I always say that gives you a muscle of belief. I want to believe in something, but I don't believe in what my parents believed in. Poetry has taken the place, or I think the arts have taken the place, of religion in my life. I wanted to see how that was working out through the poems.

I was born in New Orleans, but I grew up in Hawaii. That was a paradise. That's a paradise I keep inside of me all the time. It's funny, I don't really write too much in poetry about Hawaii, but I published a book of stories a couple of years ago.