I should mention that I took piano lessons beginning when I was four. My mother was my first teacher, and it was a wonderful way to bond with her. She was a terrific supporter of my musical career. I knew I wanted to be in music since I began lessons, and I enjoy the various facets that my career has led me.

The first part of my career was indeed as a performer and recording artist, and I am still keenly involved with both. While rummaging around in the British Library, I found many delightful and interesting compositions by 18th-century men and women composers.

I should mention that I took piano lessons beginning when I was four. My mother was my first teacher, and it was a wonderful way to bond with her. She was a terrific supporter of my musical career. I knew I wanted to be in music since I began lessons, and I enjoy the various facets that my career has led me.

I think I was drawn to the harpsichord because of the similarity of touch between the harpsichord and the tracker organ. When you press a key on the harpsichord, the pluck of the string gives a slight resistance similar to the feel of depressing a key on a tracker organ. Also, harpsichordists and organists use much less wrist and body motion than pianists, and we do not need the upper body muscles required by pianists.

For my qualifying concert, Helmut Walcha would not coach Charles-Marie Widor or any American compositions. In his defense, his forte was Germanic composers, and his forte was really a fortissimo!

Is there a gender gap in the music industry? It is true that there are more professional male music creators than female. For some reason, it's taking a lot longer in music than in literature and the visual arts to reach equilibrium. It was almost acceptable by the 19th century for female writers to be published, yet it's only in the last couple of decades, since about 1980, that historical female composers have really emerged.

I have written six symphonies, they are smaller-scale works. I seem to emit my themes, work them out, combine and intertwine them, and then come to a close. I usually feel that there are no superfluous extras, but probably most composers feel that way about their works.