Men have been in the forefront of music for centuries, and they have written glorious music, loved and appreciated by many. In some ways, men are still in the forefront. There is a lot of room for composers of all types of music by both men and women, nowadays.

I played for my first church service when I was nine years old. I was sufficiently tall to be able to reach the pedals. The first hymn I played was Bringing in the Sheaves, and to this day I can play it in any key. I graduated to a Hammond organ a few years later when we went to another church, and then in high school came one of the loves of my life, the pipe organ. The sound of the pipe organ still gives me a thrill, whether soft strings or drowning out the orchestra as in Strauss' Also Sprach Zarathustra.

As all nocturnal creatures, I have a tendency to wander about during the night, embracing and relishing in its mysteriousness, unexplained sounds, and thick aura of darkness. As a pianist I was drawn to compositions with the titles of Nocturne and Notturno - from Maria Szymanowska's Nocturne in B-flat to John Field and Frederic Chopin's Nocturnes. The night offers a myriad array of emotions from solace to absolute horror. I tried to infuse some of these terrifying thoughts, as well as solace that only night can bring into Night Soundings.

I have written six symphonies, they are smaller-scale works. I seem to emit my themes, work them out, combine and intertwine them, and then come to a close. I usually feel that there are no superfluous extras, but probably most composers feel that way about their works.

Is there a gender gap in the music industry? It is true that there are more professional male music creators than female. For some reason, it's taking a lot longer in music than in literature and the visual arts to reach equilibrium. It was almost acceptable by the 19th century for female writers to be published, yet it's only in the last couple of decades, since about 1980, that historical female composers have really emerged.

I thought I wanted to be a performing and recording artist, and played many recitals and performances beginning in the 1970s. In the 1980s I went to the British Library and ordered and received reels of historical women and men keyboard composers, and thus was born Vivace Press.

In spite of all the cultural restrictions, in spite of marital or political difficulties, a strong woman continues to create and makes the world go round, such as Abigail Adams and Alexandra Bergson, Harriet Scott, and Emily Dickinson all did. History is full of women creators in the arts, many of whom created under oppressive circumstances.