For my qualifying concert, Helmut Walcha would not coach Charles-Marie Widor or any American compositions. In his defense, his forte was Germanic composers, and his forte was really a fortissimo!
Barbara HarbachThe culture of suppressing women composers and performers goes centuries back in Germany and other countries. Just think of Fanny Mendelssohn and the struggles she and many other women had to endure to get their music recognized. How many women's compositions were left to languish in attics, only to be thrown out by future generations! So much has been lost over the centuries.
Barbara HarbachI should mention that I took piano lessons beginning when I was four. My mother was my first teacher, and it was a wonderful way to bond with her. She was a terrific supporter of my musical career. I knew I wanted to be in music since I began lessons, and I enjoy the various facets that my career has led me.
Barbara HarbachI do have to admit that teaching, composing, and editing is a bit easier than sitting at the organ or harpsichord for seven straight hours, but I do love to do it anyway! I have found my career changing over the years.
Barbara HarbachHelmut Walcha was a gifted organist, improviser, and composer! He would play Evensong every week at his church for free, the Dreikรถnigskirche in Frankfurt, where the audience would consist of only six or so of us students. When he would give a public recital that had a hefty ticket price, the church was packed.
Barbara HarbachThankfully, it is getting better for women composers. We now have five women Pulitzer Prize winners in music since 1983: Ellen Taaffe Zwilich, Shulamit Ran, Melinda Wagner, Jennifer Higdon, and Caroline Shaw. When Marin Alsop was asked what it felt like to conduct the Last Night of the Proms, she said, "I am exceedingly proud to be 'the first' but I am also a bit shocked that there can still be firsts for women in 2013!"
Barbara Harbach