For the first time in six or seven thousand years, many people of goodwill find themselves confused about art. They want to enjoy it because enjoying art is something they expect of themselves as civilized persons, but they're unsure how to do so. They aren't even sure which of the visible objects are art and which are furniture, clothes, hors d'oeuvres, or construction rubble, and whether a pile of dead and decomposing rats is deliberate art or just another pile of decomposing rats.

In America, snobs who wouldn't be seen dead with a lottery ticket play the stock market. We like to gamble. Winning, we have closed our eyes, leapt across the yawning abyss, and landed knee-deep in daisies. Even losing has a certain gloomy glamour: the gods of chance are worthy opponents; we have engaged them in hand-to-hand combat and though we lost, at least we shrank not from the contest.

There is no 'cat language.' Painful as it is for us to admit, they don't need one!

Smiting enemies has always been so admired that, unlike medicine or archaeology, it entitled its successful practitioners to become kings, emperors, and presidents.

For some of us, the soul is resident in the sole, and yearns ceaselessly for light and air and self-expression. Our feet are our very selves. The touch of floor or carpet, grass or mud or asphalt, speaks to us loud and clear from the foot, that scorned and lowly organ as dear to us as our eyes and ears.

It's curious that throughout our history together, with no apparent effort, people have been able to think of the cat simultaneously as the guardian spirit of the hearth and home, and as the emblem of freedom, independence, and rootlessness.

A catless writer is almost inconceivable.