I didn't study writing in school, I studied biology as an undergraduate and graduate student. So I think that I write fiction in the scientific way. I love invention, obviously; I love creation of character. But I do feel very rooted in the real world, even in the way that I create characters.

If someone does learn about the world from reading a novel of mine, that makes me very happy. It's probably not what brings me into the novel in the first place - I usually am pulled in by some big question about the world and human nature that I'm not going to resolve in the course of the novel. But I'm very devoted to getting my facts straight.

I lost a child," she said, meeting Lusa's eyes directly. "I thought I wouldn't live through it. But you do. You learn to love the place somebody leaves behind for you.

There's always more to a story than a body can see from the fenceline.

It's as if cats live in a seperate universe that takes up the same space as ours, but is full of facinating things like mice or sparrows or special TV programs that we can't see.

In the day-to-day, farm work is stress relief for me. At the end of the day, I love having this other career - my anti-job - that keeps me in shape and gives me control over a vegetal domain.

Those first few weeks are an unearthly season. From the outside you remain so ordinary, no one can tell from looking that you have experienced an earthquake of the soul. You've been torn asunder, invested with an ancient, incomprehensible magic. It's the one thing that we never quite get over: that we contain our own future.