Codi: Gives you the willies, doesn't it? The thought of raising kids in a place where the front yard ends in a two-hundred-foot drop? [referring to cliff dwellings] Loyd: No worse than raising up kids where the front yard ends in a freeway.

Literature duplicates the experience of living in a way that nothing else can, drawing you so fully into another life that you temporarily forget you have one of your own. That is why you read it, and might even sit up in bed till early dawn, throwing your whole tomorrow out of whack, simply to find out what happens to some people who, you know perfectly well, are made up.

This manuscript of yours that has just come back from another editor is a precious package. Don't consider it rejected. Consider that you've addressed it 'to the editor who can appreciate my work' and it has simply come back stamped 'Not at this address'. Just keep looking for the right address.

Mom is losing, no doubt, because our vegetables have come to lack two features of interest: nutrition and flavor. Storage and transport take predictable tolls on the volatile plant compounds that subtly add up to taste and food value. Breeding to increase shelf life also has tended to decrease palatability. Bizarre as it seems, we've accepted a tradeoff that amounts to: "Give me every vegetable in every season, even if it tastes like a cardboard picture of its former self."

What we end up calling history is a kind of knife, slicing down through time. A few people are hard enough to bend its edge. But most won't even stand close to the blade. I'm one of those. We don't bend anything.

How strange to read of a place in a book, and then stand on it, listen to the birds sing, and spit on the cobbles if you want.

Why is it that only girls stand on the sides of their feet? As if they're afraid to plant themselves?