The thing is, it's my own fault. I just can't put up with a person that won't go out of his way for me. And that's what a man is. Somebody that won't go out of his way for you. I bet it says that in the dictionary.

Ah, the mysterious croak. Here today, gone tomorrow. It's the best reason I can think of to throw open the blinds and risk belief. Right now, this minute, time to move out into the grief and glory. High tide.

Plot comes first. The plot is the archictecture of your novel. You wouldn't build a house without a plan. If I wrote without a plot, it would just be a pile of bricks. Characters are your servants. They must serve your plot.

I concentrate on character, theme, language, structure, voice. It actually surprises me that no matter what I write, people declare it "intently political." I'm just writing about the world I know, as it is. Wounds and griefs included.

This is how moths speak to each other. They tell their love across the fields by scent. There is no mouth, the wrong words are impossible, either a mate is there or he is not, and if so the pair will find each other in the dark.

A writer's occupational hazard: I think of eavesdropping as minding my business.

The arrogance of the able-bodied is staggering. Yes, maybe we'd like to be able to get places quickly, and carry things in both hands but only because we have to keep up with the rest of you ... We would rather be just like us, and have that be all right.