If my setting is new to a reader, or the concerns of the novel are new, I hope they will learn something about the world. I would like to say that they can trust that what they do learn in the novel will be accurate, because I pay a lot of attention to facts. I do a lot of research to make sure that I'm not giving them, you know, blue moons of Jupiter. It's not science fiction.

There is no perfect time to write. There is only now.

But the last one: the baby who trails her scent like a flag of surrender through your life when there will be no more coming after - oh, that's love by a different name. She is the babe you hold in your arms for an hour after she's gone to sleep. If you put her down in the crib, she might wake up changed and fly away. So instead you rock my the window, drinking the light from her skin, breathing her exhaled dreams. Your heart bays to the double crescent moons of closed lashes on her cheeks. She's the one you can't put down.

Sometimes I still have American dreams. I mean literally. I see microwave ovens and exercise machines and grocery store shelves with 30 brands of shampoo, and I look at these things oddly, in my dream. I stand and think, "What is all this for? What is the hunger that drives this need?" I think it's fear. Codi, I hope you won't be hurt by this, but I don't think I'll ever be going back. I don't think I can.

A woman without a man -- a condition of 'manlessness' -- is defined as alone. But a single mother is less alone than the average housewife.

Pay attention to your passions. They are the key to starting and finishing the book you are meant to write. I don't believe in talent. I believe in passion.

You can curse the dead or pray for them, but don't expect them to do a thing for you. They're far too interested in watching us, to see what in heaven's name we will do next.