I'm never going to tell the reader what to believe; I'm going to examine these characters that believe different ways, and examine their motives.

Shoes would interfere with her conversation, for she constantly addresses the ground under her feet. Asking forgiveness. Owning, disowning, recanting, recharting a hateful course of events to make sense of her complicity. We all are, I suppose. Trying to invent our version of the story. All human odes are essentially one, "My life; what I stole from history, and how I live with it.

A woman without a man -- a condition of 'manlessness' -- is defined as alone. But a single mother is less alone than the average housewife.

Libraries are the one American institution you shouldn't rip off.

A first child is your own best foot forward, and how you do cheer those little feet as they strike out. You examine every turn of flesh for precocity, and crow it to the world. But the last one: the baby who trails her scent like a flag of surrender through your life when there will be no more coming after--oh, that' s love by a different name.

Nonfiction requires enormous discipline. You construct the terms of your story, and then you stick to them.

This is how moths speak to each other. They tell their love across the fields by scent. There is no mouth, the wrong words are impossible, either a mate is there or he is not, and if so the pair will find each other in the dark.