Images are made palpable, ironed flat by technology and, in turn, dictate the seemingly real through the representative.

What makes the production of my work so expensive? The whole installation thing - the construction, the objects, the technology. It really adds up.

Love is something you fall into.

There are so many moments and works that influence us in what we do. Movies, music, TV and, most importantly, the profound everydayness of our lives.

... the thing that's happening today vis-á-vis computer imaging, vis-á-vis alteration, is that it no longer needs to be based on the real at all. I don't want to get into jargon - let's just say that photography to me no longer pertains to the rhetoric of realism; it pertains more perhaps to the rhetoric of the unreal rather than the real or of course the hyperreal.

I mean, making art is about objectifying your experience of the world, transforming the flow of moments into something visual, or textual, or musical, whatever. Art creates a kind of commentary.

Although my art work was heavily informed by my design work on a formal and visual level, as regards meaning and content the two practices parted ways.