The album [Blaxistential crisis] artwork is by a friend of mine who is a brilliant artist named Sara Pocock. We've been friends for a couple of years and she worked with me on the animation. I believe she's still working over at BuzzFeed.

Surprisingly I've never really stolen anything. One time when I was really young, I was walking down the street, found a GI Joe in the mud, and took it home and I was like, "I got a GI Joe!" And then my great grandmother was like, "You stole that." I said, "What are you talking about?" and she said, "That's not yours." I'm like, "But I found it!" She's like, "But it's not yours, and therefore you stole it." So I just went and put it right back in the mud where I found it.

I can't do Christopher Walken impressions anymore, thanks [Barack] Obama.

If you're driving down the street, you keep the neck forward. So that way you can clear out the lanes.

When you do comedy, the audience is not your boss. They are your collaborators and when you collaborate with someone you don't have to listen to everything they think or say. Sometimes you're not getting the laughs you want or at the place you want but that doesn't mean it's not funny. It means you haven't explored it enough. I'll get laughs in the places I don't want them and that makes me realize the direction I want to go in.

I am afraid of abandonment, and, if you will, in a really existential way, being exposed as a fraud. Everyone's afraid of it, and I definitely am. This is a fear that motivates. Oh, and heights. And getting stabbed.

Lily Tomlin...I used to watch reruns of Laugh-In and she was always my favorite part. She's this very unique talent and the way she does things has been a very big influence on me.