One time I was really close to Steve Martin. I was too afraid to actually go talk to him, but I'll count that as meeting.

I'll get laughs in the places I don't want them and that makes me realize the direction I want to go in. I don't mean to get too deep into comedy here.

As you go on you realize "Okay I know how to get laughs but am I saying things I want to say? Am I writing jokes that I like?" You get to a point that is that so you move on.

The album [Blaxistential crisis] artwork is by a friend of mine who is a brilliant artist named Sara Pocock. We've been friends for a couple of years and she worked with me on the animation. I believe she's still working over at BuzzFeed.

Anyone who buys a ticket can just go in there, and I don't like everyone, so I always see concerts as like, I'm going to get punched, I'm going to get elbowed, I'm going to get stepped on, get spilled on, someone's going to hit me with their body odor or something.

The audience is not your boss. They are your collaborators and when you collaborate with someone you don't have to listen to everything they think or say.

Sometimes I have young comics that ask me, "What should I do when I meet an agent or a manager and they ask me stuff?" And I say, "Well, they always usually ask, 'Where do you see yourself in five years, 10 years, 15 years?' And it's good to have an answer for that."